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2026.10.25 - 2027.11.25

Gesture

  • Exhibition Dates
    2026.10.25–2027.10.25
  • Venue
    Taikang Art Museum (2F, Building 1, Yard 16, Jinghui Street, Beijing, Taikang Group Building)
  • Organisers
    Taikang Art Museum
  • Curator
    Shirley Liu
  • Artist
    Romain Froquet

Gesture is the trace left by movement, and the field where relationships quietly take place.

The Gesture series is a long-term painting research practice by Romain Froquet. It begins with a continuous exploration of the relationship between bodily movement and the act of painting: how brushstrokes follow the body, how colour deposits itself in space, and how painting becomes a trace of the dialogue between body and place. This series does not depict external objects; rather, it lets painting itself become an action, a stance, a process unfolding in time.

In October 2026, Taikang Art Museum launched the ‘TAM Gathering’ project, transforming its existing public activity space into a theatrical setting for art, where artworks and public life interact continuously and many cultures meet. For the inaugural exhibition of TAM Gathering, Romain Froquet was invited to bring his Gesture series, continuing it and generating a new trajectory for it within the specific site of Taikang Tower.

Romain’s creative process generally begins with observing a place. Before arriving at Taikang Art Museum, he reads maps, satellite images, architecture and history, keenly picking up the invisible movements that shape this area. Taikang Art Museum is located in the heart of Beijing’s CBD. The large glass facade facing the city engages in an ongoing dialogue with the streets, pedestrians and urban landscape outside. Romain uses the term ‘Living Energy’ to describe how he feels about the CBD. He believes that in such a vibrant urban energy field, every movement of people creates relationships, and the trajectories of movement form invisible lines. These invisible lines are forming the city and also connecting it. What he does on site is to make these invisible connections visible.

Romain spreads canvases on the floor and, with his body as the axis, layers repeated brushstrokes and colours, leaving traces upon traces. These traces are not isolated; they always point toward another trace: human flows, bodily gestures and the rhythms of the city all form connections with one another.

Gesture itself is an ongoing event. Every movement, pause and participation of the audience, every dialogue between the artist and the public, every public programme… will leave traces and become part of the work. TAM Gathering thus becomes a site where gathering and traces are continuously generated.

 


 

About TAM Gathering

TAM Gathering is the public programme platform of Taikang Art Museum. It integrates diverse formats such as exhibitions, dialogues, screenings, performances and workshops, aiming to create a flexible and participatory public art space. It connects art and the public, allowing works and discussions to continuously take place in the same space, becoming a growing gathering place open to the city.

 

Other Information
  • ABOUT THE ARTIST

    Romain Froquet

    Born in France in 1982, Romain Froquet began painting in the late 1990s. With abstract painting at the core of his practice, he explores the relationships between line, bodily movement and space. Through the interweaving, repetition and extension of brushstrokes, he develops a rhythmic visual language.

    Drawing inspiration from urban landscapes, natural forms and diverse cultural traditions, Froquet approaches the line as a means of connecting individuals, their surroundings and collective experience. His practice has expanded to encompass installation, public art and site-specific work, exploring perception, movement and invisible connections through the interplay between painting and space.

    His work has been exhibited at art institutions and galleries in France and internationally. Notable solo exhibitions include Lignées (2020) at the Pavillon Carré de Baudouin in Paris; Flux, Liens et Mouvements (2022) at La Lune en Parachute in the Vosges, France; and Terra Incognita (2024) at Colector Gallery in Monterrey, Mexico. In 2024, he participated in Sailing Home, the inaugural exhibition of the Zhoushan Art Museum in Zhejiang, China. In 2025, his project Connectionswas presented at Hangar 107 in Rouen, France.

     

  • ABOUT THE CURATOR

    Shirley Liu

    A graduate of the Central Academy of Fine Arts. She started her career at Taikang Space before serving as Curator and Artistic Director at UCCA Lab, where she managed and curated a roster of landmark art projects presented nationwide. Her signature curatorial projects include: The Ongoing Future, AI Art Experience at Lenovo Future Center (2025); the “Ran Ran” Young Artist Incubation Program (2022–2025); Sailing Home, the opening exhibition of Zhoushan Art Museum (2024); and the group show The Pieces I am at UCCA Edge (2022). Her curatorial practice focuses on the symbiotic fusion of contemporary art, urban life, and commercial culture. Her earlier experience at international 4A marketing communications agencies grants her a unique strategic vision and systematic methodologies to construct cross-sector collaborative ecosystems bridging art, commerce, and public spaces.

     

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